Remembering Thomas Chibade: The Malawian Music Legend
Chibade died on Wednesday at Kamuzu Central Hospital in Lilongwe, and according to a relative, Chiko Mbewe, he had a liver problem.
Lilongwe, Malawi-In the world of music, legends often etch their legacies in timeless melodies, leaving behind a resonating impact that defies the constraints of mortality, writes Howard Mlozi.
Such is the tale of Thomas Chibade, a local music sensation who, despite reaching the twilight of his career, shall forever remain immortal in the hearts of music enthusiasts.
His self-bestowed trademark, "Che-Nkhumba," emerges as an emblem of innovation and inspiration.
In a recent interview with a local radio station, Chibade reflected on his successful journey, offering a perspective that transcends the boundaries of life and death.
He humorously claimed to be the "pig" (or "Nkhumba") of Malawian music, a creature esteemed for birthing numerous piglets, a metaphor that captures his role as the progenitor of young artists who drew inspiration from his unique style.
Thus, the moniker "Che-Nkhumba" was born, symbolizing his enduring influence and innovation.
The genesis of Chibade's musical sojourn lay in the legendary local musician, Phungu Joseph Nkasa. Nkasa's daring and unfiltered musical style acted as the crucible from which Chibade's artistry emerged.
Now, with Chibade no longer gracing our earthly stage, the torch passes to the "piglets," a reference to the admirers and imitators of his work who are now tasked with continuing his legacy.
The author of this narrative is an individual whose life is a tapestry woven with threads of both village and urban experiences. Amid the hubbub of secondary school, hip-hop culture cast an enchanting spell.
This era saw the author don the moniker "Diddy," an homage to the American rapper and business mogul, Sean "Puff Daddy" Combs. School days were marked by a ubiquitous refrain of "Hip Hop this, Hip Hop that," with friends like Harrie G, Jay Z, Timbaz Harold Kalisha, G-Kelly, Glory Abokera Bokera, and Isaac Sheshman Chunga contributing to a symphony of memories.
Yet, beneath the rhythms of hip-hop, a profound love for local music remained steadfast. Chibade, alongside other luminaries like Katelele Ching'oma, Lulu, Professor Joe Gwaladi, and Chief Mkumbira, acted as the compass guiding local musical swag.
The echoes of Lulu's "Magwiragwira" resound nostalgically, inspiring an era that captivated the hearts of those born in the 2000s.
The true story of Chibade unravelled during the author's secondary school years, around 2004/5, with the release of the magnetic tune, "Ulova." The song laid bare Chibade's latent potential, leaving no room for doubt about his promising future.
Those born in the 1990s and 80s can bear testimony to this mesmerising musical journey.
Chibade's debut album, "Zatukusira," released in 2005/2006, featured the unforgettable track "Mau Anga (a.e.i.o.u)," which metamorphosed into a quasi-national anthem. Within this album lay the captivating "Pemphero," a tribute to the stalwarts who contributed to Chibade's musical genesis.
Chibade's music delved into real-life issues and personal experiences, setting him apart as an artist with a profound connection to his audience. His follow-up album, "Kuno Mkumanda," narrated a harrowing personal ordeal, where false defilement accusations led to his imprisonment.
Chibade was not merely a musical genius; he was a revolutionary force that reshaped the Malawian music landscape between 2005 and 2010. His legacy is indomitable, an enduring testament to his profound influence.
As we bring this tribute to a close, it's essential to underscore the power of local music and its cultural resonance. When the rhythm strikes a chord, the allure of local vibes is unmistakable. This cultural connection, rooted in authenticity, is the propellant that propels Malawian music toward the global stage.
As trends evolve, and new genres like Amapiano, Hip Hop, and Trap take center stage, the music industry continues its ceaseless evolution. Yet, international recognition is not a mere product of a catchy beat; it necessitates introspection and innovation. Award ceremonies like the prestigious GRAMMY Awards seek not only a captivating melody but also the essence of originality in both rhythm and content.
In this regard, artists like Tay Grin endeavor to blend urban flair with local elements, creating an authentic Malawian/African sound.
As we eagerly await the verdict of the GRAMMY Awards Screening Committee regarding Tay Grin's "Tcha" music video, it's worth emphasizing that the essence of originality remains the cornerstone upon which the legacy of Malawian music continues to thrive.
Thomas Chibade's music continues to inspire generations, transcending his earthly presence to etch an immortal legacy in the annals of Malawian music.
Chibade died on Wednesday at Kamuzu Central Hospital in Lilongwe, and according to a relative, Chiko Mbewe, he had a liver problem.